Return to the dome, and unlock the closed door of the cathedral.Enter through the hole in the wall (or mousetrap) and collect the key to the mousetrap.From there, jump to the ledge where the lamp is, skirt the house, from there, jump to the railing of the wedge to be able to ascend and reach the door of the house. Go to the ramp, and go up the hole in sight on the far side of the house.Go back to the dome, reduce the size of the ramp/wedge, and now, place it in the two-story house as we show you in the image below.Now, go down the elevator, go up the wedge/ramp and enter the interior of the two houses to pull the levers.Place the wedge outside the walls of the dome, in one of the corners where there are now operational switches to activate elevators. Go back to the dome, and increase the size of the wedge/ramp.From there, jump back to the highest pipe and go to the red light to pull the lever Inside, jump up the pipes and jump towards the chair.Sneak under the fence, climb the wedge/ramp and enter the interior of the house.It passes by to reach a third version of the house, much larger. Leave the dome, and head towards the gated house.Go back to the dome and place the wedge/ramp on the gated house, so you can go up the ramp to the door.In the "normal-size" world, jump the gate up the wedge and activate the levers on the houses with the doors open.In the model, position the ramp so that you can jump over the broken fence as shown below.Inside the purple house, look in the little greenhouse and grab the wedge (or ramp).You can go to the right, and climb up to reach the top of the plants, and go jumping to the door. Afterward, go out and go towards the gigantic purple house, and use the rake to climb up to the railing. Go to the purple house, and hit the switch inside.This conceptual sculpture is intended to visually depict the reality of shipbuilding and emphasize the metaphor, or marriage, or symbiotic relationship of shipyard management and shipyard workers.We give you all the steps so that you can overcome step by step all the puzzles that you find in Maquette, and thus finish the adventure. Justin is the dog, and his promoters are the wedge. This relationship is necessary for success and to make money in the music industry. For instance, where would Justin Bieber be without his promoters and record labels to promote his amazing success? Young, raw, inexperienced talent needs to be organized and promoted by business people who have the experience, connections, and investment capital. The one is dependent on the other for a productive outcome.Īnother excellent example is the Music Industry. The farmer is the wedge that perpetuates the productivity and organization that feeds us all. Teaching for instance, where the dog becomes the student body and the teacher is the wedge that provides impetus, knowledge, and proliferates learning.Īgriculture, is another example, where the dog represents the crops and livestock. I have scaled it up to twelve times life size to exaggerate the concept.įurthermore, the metaphor analogy may be extended to many situations in life. This conceptual sculpture gives visual context to the relationship between skilled labor and management. This symbiotic relationship struck me when I was working at the Irving Shipyards in Halifax and Shelburne, Nova Scotia. Without a workforce no work could be started or completed. Without management there would be no contracts, financing, and logistical organization. The Dog represents the workforce, and the Wedge represents the management. This piece of sculpture is a simple metaphor for the shipbuilding industry. The sculpture is made in homage to the ship builders of Atlantic Canada This was done to accentuate their importance to the ship building process. The wedge and dog in the sculpture are 12 times life size. Hundreds, perhaps thousands of wedges and dogs would be used in the construction of a single ship. Actual dogs are about 8 inches long and 4 inches wide. The dog is welded to the steel plate the wedge is hammered into the notch on the dog, forcing the steel plate to bend. They function to help bend flat steel plate onto the curved surface of a ship’s hull. Wedges and dogs are used extensively in the construction of steel ships. The above photograph depicts the actual use of a real wedge and dog.
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It has versions for Windows and Mac OS X (Intel processors only) and is written by the French company Arobas Music. Scripts to automatically harvest results are strictly prohibited due to performance reasons and will result in your IP being banned from this website. Guitar Pro is a multitrack editor of guitar and bass tablature and musical scores, possessing a built-in MIDI -editor, a plotter of chords, a player, a metronome and other tools for musicians. Legal notice: You may not, under any circumstances, resell or reproduce any information for commercial use without the express prior written consent of. A visit to any site or page from our web site via these links is done entirely at your own risk. provides links to third party sites only as a convenience and the inclusion of such links on our site does not imply 's endorsement of either the site, the organization operating such site, or any products or services of that organization. Note: We try to keep all external and related links up-to-date, however we are not responsible for the content of any site linked, further links on sites linked, or any changes or updates to the the information found on these sites. Ultimate Guitar Pro is a premium guitar tab service, available on PC, Mac, iOS and Android Try for free Click the button to. We invite you to give Guitar Pro 8 a free try for 7 days by downloading our trial version from this. Former Guitar Pro licensed users benefit of a 50/100 discount on any Guitar Pro 7.6 purchase made from our website. You'll have access to thousands of scores in Guitar Pro format (*.gp3, *.gp4, *.gp5, and *.gpx files) shared online by our users.File types | Find file converter | Software | Articles | FAQs | Privacy policy | About us | RSS Arobas Music supports former Guitar Pro versions up to one year after the release of the last and current version (Guitar Pro 8). SHARE Export the songs you have created or arranged in Guitar Pro, to listen to them on your iPhone or iPad and share them with your friends. All of those tools work with fretted instruments from 4 to 8 strings. TOOLS Guitar Pro is a true workshop for guitarists: chord and scale libraries, tuner, metronom, virtual fretboard and keyboard. Characterized by a soberer presentation and leaving more room to the score, access. An entire rewrite, this new version is truly a major evolution for Guitar Pro, with its new interface and completely redesigned ergonomy. AUDIO Guitar Pro is also a powerful score player, which facilitates composing or learning a piece. Guitar Pro is a good one-stop solution for beginners and experts alike to learning to play and compose music for the guitar. In either case, capture your notes quickly with the numerical pad, the mouse, or even a MIDI instrument. You can edit the notes directly on the standard score or on the tablature. EDITING Express your talent by creating your own scores in a matter of minutes. Guitar Pro is a multitrack editor of guitar and bass tablature and musical scores, possessing a built-in MIDI-editor, a plotter of chords, a player, a metronome and other tools for musicians. For optimal ease in reading, you'll be able to display your scores as you prefer - full-screen, double-page, or parchment-like -, and also display a guitar fretboard to visualize the exact positioning of your fingers on it. INTERFACE You'll know how to handle the interface in a matter of minutes, easily navigating over its tabs and buttons. GP6 MAC - Guitar Pro 6 and macOS 10. It now includes editing support for many other instruments like the piano or the drums, a realistic audio engine, and interactive tools to support every musician's practice. Its great ease of use and the success of its specific file format have made it a program used by guitarists worldwide. P2P 2015.10.07 | 38.43 MB | Soundbanks 584.52 MB Guitar Pro is first and foremost a program designed to edit tablatures for guitar, bass, and other fretted instruments from 4 to 8 strings. That said, in looking around for logging software there seems to be a suite of software called DXLab which is Windows based. I am a long time MAC user so from what I gather, I am best advised to get a Windows laptop for logging and perhaps even control. Cheers and 73 Art W1SWLįrom: W1SWL Sent: 17 November 2021 17:17 To: Subject: Suggestions for Logging Software with FTDX101MP 8-) I am now retired for 10 years and have decided to "get back into" Ham radio. And yes I still have a ponytail, (which back then, a good 80% of professional broadcast engineers had) but have given up the pocket protector. All of the major networks were my clients. I specialized in high performance UNIX computing, and storage, especially in the broadcast TV & Radio vertical markets. As background: I am a retired computer systems engineer having worked for IBM, DEC, COMPAQ, HP and EMC/Dell over my long career. I will probably use Logbook of the world. I am certain that if there are 5 amateurs who answer, there will be 6 or more different suggestions. I know asking such a broad set of question(s) is probably asking for trouble but all information is good as far as I am concerned. (a sH^%load of ground rods is NOT fun to drive down I am glad that task is behind me). Yesterday I just finished the ingress of coax to the house and the bonded grounding system to the various ground rods and a long run to the electrical service ground rods with ground rods about every 12 feet along the way. BTW, just passed my General so the ham shack is being set up along with antennas, coax, ground bonding and you name it. Two mice? One for the laptop and the other for the transceiver display? One keyboard for the logging suite of software. one for the FTDX101MP direct attached to the transceiver and the other for the logging laptop and attached to it. The plan is to have two display screens active. Advice on memory, disk space and anything else (like Windows OS support) would be graciously appreciated. This laptop would be 100% devoted only to the ham shack for logging. It appears the laptop would need at least 2 USB ports, wifi and bluetooth. Essentially I would use the laptop as a keyboard and USB hub. Do any of you here use the DXLab Suite of software? How well (easy and trouble free) does it integrate with the FTDX101 family of Yaesu transceivers? Also is there some other suite of software that I would be advised to consider BEFORE making a decision? I have to procure a laptop and would like to drive a larger monitor, so a laptop with a removable screen would be most desirable. So far, so good.On Wed, at 12:17 PM W1SWL wrote: Hi Group. I will complete a review of MacLoggerDX in future posts, but for now I thought I would explain my rationale of making the switch. And on the odd occasion I did venture into digital modes. Its not HRD, its not an all in one solution, its a log book that can use the radios VFO, the rotor and DX cluster all together. So the solution ? well its not a solution to be fair. It’s a combination of all the elements tethered together that makes the experience unusable. Its not the fault of HRD, nor is it the fault of the Virtual Machine, The RS-232 - USB connectors. HRD over a Virtual Machine, using RS-232 connectors is unpredictable, slow and frankly unusable. I transitioned from PC to Mac around 3 years ago, and have been using a Virtual PC to do my PC based tasks (including my day job) and this is the issue. This I completely agree with, and my time using HRD was always a great experience and I would recommend the software to anyone. Amongst the re-tweets and comments i received, Danny (PA3DM) did mention that HRD is not just a logbook, but a full suite of digital modes, rotor and a rig control system. I recently tweeted that I had dropped Ham Radio Deluxe in favour for MacLoggerDX. We hope this collection has inspired you and that you’ll think about adding one of these unique creatures to your own Japanese tattoo collection. There are so many films out there but our favorites happen to be Kwaidan, Hausu, Kuroneko, Spirited Away, and A Letter to Momo. Each side of the box features tracks and holes through which to guide the pinball. If you’re less into reading and more into experiencing, then perhaps a Japanese monster movie night is the perfect thing. tried AirPods Pro 2 for workouts - heres what happened2Google Pixel 7 - 5. Another suggestion would be to peruse the images of the “He-Gassen”, which is a 200 year old, 34 foot long scroll with illustrations depicting “the fart wars”. What is BeReal - and why is it exploding in popularity Toms Guide Skip to. To start viewing messages, select the forum that you want to visit from the selection below. You may have to register before you can post: click the register link above to proceed. We also have an article about Ero Guro, which is a fascinating art movement that is also still influential to tattooing today. In this video I demonstrate some of the elements of the high scoring strategy guide for Paranormal that I posted on the Zen studios forum. Zen Studios Games Pinball FX2 + Zen Pinball Pinball FX2 - XBOX 360 If this is your first visit, be sure to check out the FAQ by clicking the link above. If you’d like to read more about this particular aspect of Japanese tattoos we’d suggest checking out “Dream Spectres” which is part of a series of books that highlights various Japanese artworks and the myths or characters within them. If you’ve read this far we assume you’re pretty interested in the monsters, spirits, and spectres of Japanese mythology. In the following example, the SSH server uses the insecure hmac-sha1 algorithm, which isn't supported by Visual Studio 16.9. The following example explains how to update to more secure versions. However, you may be running an older SSH server that's configured to use older, insecure algorithms. The default SSH server on most modern Linux distributions should work with Visual Studio. No common client to server HMAC algorithm was found." The error may also appear if the SSH server is configured to use algorithms that Visual Studio doesn't support. If Visual Studio doesn't support those defaults, you'll likely see an error like: "Could not connect to the remote system. Those defaults depend on the version and vendor of the SSH server. The SSH server should use secure defaults when no algorithms are specified. The Open SSH configuration file ( sshd_config) doesn't configure which algorithm to use by default. The connection succeeds as long as there's at least one algorithm in common between Visual Studio and the server for encryption, HMAC, key exchange, and so on. Each side (client and server) provides a list of algorithms it supports, and then the first algorithm common to both is selected. Instead, the algorithm is determined during the initial handshake with the SSH server. You can't select the SSH algorithm to use from Visual Studio. They're supported for both client-to-server and server-to-client SSH communication: Algorithm typeįirst, a little background. Only the following algorithms are supported. Starting in Visual Studio version 16.9, support for older, insecure SSH algorithms used to encrypt data and exchange keys, has been removed. You can also update remote connections from ConnectionManager.exe using the update argument. Then, Visual Studio establishes a connection and caches the accepted fingerprint. You'll be prompted to accept the host key fingerprint first. If you upgrade to Visual Studio 16.10 or later from an older version, it treats any existing remote connections as new connections. You can also verify a fingerprint on demand: select a connection in the Connection Manager and choose Verify. Or, anytime there are changes to a cached fingerprint. The first time Visual Studio establishes a new remote connection, you'll be asked to accept or deny the host key fingerprint presented by the server. Visual Studio uses the fingerprint to ensure it's connecting to the intended and trusted server. You may be familiar with this process if you've used the OpenSSH command-line client or PuTTY before. In Visual Studio version 16.10 or later, you'll be asked to verify the server's host key fingerprint whenever Visual Studio connects to a remote system for the first time. Currently Visual Studio only supports RSA and DSA keys for remote connections. If you already have a key pair, it's possible to reuse it. For many development scenarios, password authentication is sufficient, but key files are more secure. You can use either a password or a key file and passphrase for authentication. Passphrase used with private key selected above Private key file created for ssh connection Password and Private Key are both supported Port that the SSH service is running on, typically 22 In either scenario, the Connect to Remote System window is displayed. In the Connection Manager dialog, choose the Add button to add a new connection. If you haven't set up a connection in Visual Studio before, when you build your project for the first time, Visual Studio opens the Connection Manager dialog for you. Then select Cross Platform > Connection Manager to open the Connection Manager dialog. In Visual Studio, choose Tools > Options on the menu bar to open the Options dialog. If you'd like the ssh server to start automatically when the system boots, enable it using systemctl: sudo systemctl enable ssh On the Linux system, install and start the OpenSSH server: sudo apt install openssh-server However, the instructions should be the same for any distro using a moderately recent version of OpenSSH. The examples in this article use Ubuntu 18.04 LTS with OpenSSH server version 7.6. If ssh isn't already set up and running on your Linux system, follow these steps to install it. Set up the SSH server on the remote system This is identical to the feather structure of living birds. Still others (like the dromaeosaurids and Archaeopteryx) have a vane-like structure in which the barbs are well-organized and locked together by barbules. Others have evolved a central stalk, with unstructured branches coming off it and its base. One is branched and downy, as pictured below. In theropods even more closely related to birds, like the oviraptorosaurs, we find several new types of feathers. This fossil of Sinosauropteryx preserves evidence of hair-like feathers. The feathers seem to have had different color patterns as well, although whether these were for display, camouflage, species recognition, or another function is difficult to tell. These short, hair-like feathers grew on their heads, necks, and bodies and provided insulation. Small theropods related to Compsognathus (e.g., Sinosauropteryx) probably evolved the first feathers. In fact, the more closely we look, the more obvious it is that the suite of features that characterize birds evolved through a complex series of steps and served different functions along the way. However, it’s important to remember that the animals were not “trying” to be birds in any sense. The birds are simply a twig on the dinosaurs’ branch of the tree of life.Īs birds evolved from these theropod dinosaurs, many of their features were modified. When paleontologists built evolutionary trees to study the question, they were even more convinced. Based on their shared features, scientists reasoned that perhaps the theropods were the ancestors of birds. All the dinosaur groups on this evogram, except the ornithischian dinosaurs, are theropods. In the 1970s, paleontologists noticed that Archaeopteryx shared unique features with small carnivorous dinosaurs called theropods. Raab, used under this Creative Commons license. Based on these characteristics, Archaeopteryx was recognized as an intermediate between birds and reptiles but which reptiles? Bird phylogeny adapted from / branched downy feather and symmetrical contour feather from The Tangled Bank, used with permission of the author, Carl Zimmer, and publisher, Roberts & Company, Greenwood Village, Colorado The Berlin specimen of Archaeopteryx lithographica. Furthermore, many of the bones in Archaeopteryx‘s hands, shoulder girdles, pelvis, and feet were distinct, not fused and reduced as they are in living birds. Like birds, it had feathers along its arms and tail, but unlike living birds, it also had teeth and a long bony tail. The hunt for the ancestors of living birds began with a specimen of Archaeopteryx, the first known bird, discovered in the early 1860s. The discovery that birds evolved from small carnivorous dinosaurs of the Late Jurassic was made possible by recently discovered fossils from China, South America, and other countries, as well as by looking at old museum specimens from new perspectives and with new methods.
But this Studio has so much more to offer: an advanced character animation toolset, all-new rigid and soft body dynamics, cloth simulation, event-based particle system, cloners and effectors and even natural Hair that waves in the wind. Of course it features all the standard animation tool you would expect from a high-end 3D package. When it comes to animation, CINEMA 4D Studio is a Jack of all trades. This software offers an industry-standard 3D painting toolset for high-end texturing. Use images or movies as textures or advanced shaders such als Subsurface Scattering or Backlight. Materials have 14 different channels and you can even customize channels for specific needs (e.g. Materials and TexturesĪvailable all standard and advanced options for creating the perfect surface for your models. The non-linear modeling lets you modify parametric objects at anytime and is lightweight and fast. The modeling toolset lets you work with parametric or polygonal objects, subsivision surfaces and all kinds of deformers and modifiers. Import and export a variety of file formats, which lets you integrate it in almost any pipeline. For example, hair will automatically swoosh and sway as you move your character around and making thousands of objects collide with each other only takes a few mouse clicks to set up. Generating advanced 3D effects such as hair is surprisingly easy and fast, with Maxon CINEMA 4D doing much of the work for you. The result is that Maxon CINEMA 4D Studio can tackle any project you throw at it with ease.ĭespite being designed for advanced 3D, the extra tools found in CINEMA 4D Studio are still designed to be user-friendly and intuitive. CINEMA 4D Studio is the very best that MAXON has to offer for professional 3D artists.Īs well as containing all of the features found in CINEMA 4D Prime, Visualize and Broadcast, CINEMA 4D Studio adds advanced character tools, hair, a physics engine and an unlimited clients network for rendering. Maxon Cinema 4D contains all functions needed to create high-end 3D images and animations – start the application and start working, it’s that easy.įor those whose work demands more than the basic application, MAXON provides numerous modules that can be integrated seamlessly. It makes that for a variety of industries with all character tools, integrated stereographic capabilities, stream-lined multi-artist collaboration and physical rendering. The software enables digital content creators around the world to produce highly engaging content quickly and easily. Maxon CINEMA 4D – leading 3D motion graphics, visual effects, painting, and rendering software. At the climax of the film, Man's dogs hunt down Bambi, and Thumper pitches in to help by telling Flower to make his "brave face" which causes him to let out his stink. Throughout the film, Thumper gives Bambi lessons on how to impress the Great Prince and prove that he can be mighty as well.Īs a side plot in the film, Thumper is constantly being followed by his sisters, though he finds them to be rather annoying. During this time, Bambi finds it to be very difficult to connect with his father, and Thumper offers to help. With his mother gone, Bambi is to live with his father, The Great Prince of the Forest, until a suitable replacement mother is found. The events in Bambi II take place after the death of Bambi's mother but before Bambi's young adulthood. Both newly named fathers make way for Faline's den to witness the birth of Bambi's children, with Bambi now assuming the role as Great Prince of the Forest. Sometime after, Thumper has revealed to have children of his own, as well as Flower. Soon after, Bambi would fall for his childhood friend Faline. Eventually, a female bunny becomes smitten with Thumper, and she begins to flirt, luring him into her lap. Disgusted by the sight, Thumper and Bambi continue on. The three claim they'll never fall victim to this, and make their way through the forest.Īs their walk becomes longer, Flower falls for a female skunk. It is Springtime and Friend Owl, a good friend to Bambi's family, warns the trio about the "dangers" of becoming twitterpated (falling in love). The next scene takes place years after with a now young adult Thumper, Bambi, and Flower. Young Adult Thumper in the original film. Later on, Bambi's mother is tragically killed by Man. However, Thumper's mother forces him to eat the grass as well, being that it's healthier.ĭuring the winter, Thumper teaches Bambi how to ice-skate, which proves to be rather difficult for the young prince. On another day, Bambi is out with his mother when Thumper appears again, telling him to eat blossoms and not grass. During one of these lessons, Bambi and Thumper meet and befriend a skunk named Flower. Thumper and Bambi quickly form a friendship, and Thumper takes it into his hands to teach Bambi the ropes, such as how to walk and talk. One beautiful day in the forest, a doe gave birth to Bambi, the young prince of the forest. As a kitten, Thumper's left incisor is missing, whereas as a buck, he has both incisors and a set of whiskers. The insides of his long ears and his nose are pink, his cheeks, feet, belly, and the areas around his eyes are cream. Thumper is a rabbit kitten with gray fur, hazel eyes, a white tail, a white muzzle, white incisors, and white patch of fur on his chest. As a young adult, he hasn't changed much and continues to speak rather loud and thumps his left or right foot. He often gives his close friends advice on a handful of topics but they usually get them into trouble. Unlike Bambi, Thumper can be rather mischievous but ultimately means well. As voiced by then 4-year-old Peter Behn, the vivacious character of Thumper was expanded from its original minor role and led to a focus on the young animals in the story. The character was an important influence on the development of the 1942 film, Bambi, which started production with an adult tone that seemed too serious and non-commercial. He was the first and closest friend of Prince Bambi, whom he sees as great potential for amazing things taking the young fawn "under his wings" and teaching him the ways of the forest, to some extent. Despite being mistaken for a female by viewers, he is actually male. Thumper is a young, comical rabbit and is also a well-known inhabitant of the forest. Additionally, the package provides many utility functions to visualize, extract, and sample landscape metrics. Lastly, we provide building-blocks to motivate the development and integration of new metrics in the future. We demonstrate the usage and advantages of landscapemetrics by analysing the influence of different sampling schemes on the estimation of landscape metrics. In so doing, we demonstrate the many advantages of the package, especially its easy integration into large workflows. These new developments should help with the integration of landscape analysis in ecological research, given that ecologists are increasingly using R for the statistical analysis, modelling and visualization of spatial data. Understanding how landscape characteristics affect ecological processes and the spatial distribution of species and communities is central to ecology (Turner 1989, 2005, Kupfer 2012). Thereby, one major challenge is how to describe and quantify landscape characteristics (Turner 2005, Lausch et al. Typically, landscapes are characterized as discrete patches of different land-cover classes (i.e. a landscape mosaic, Forman and Godron 1986, Forman 1995, Wiens 1995) which has several benefits. These include a straightforward application and communication (McGarigal et al. 2015), especially in human-dominated landscapes where the distinction between different land-cover classes is rather clear-cut (Lausch et al. While other landscapes may be better described by a gradient-based description of landscape structure (McGarigal et al. 2010), the landscape-mosaic model remains the dominant paradigm (Kupfer 2012, With 2019). However, for provenance, someone needs to assert as being the copyright owner. It doesn't matter to libunistd users as our license is MIT open source. When you are the original author, you created the file, you may note yourself as the copyright holder. If you encounter a stubbed function and implement it, that's great.Ĭopyright and Standard Heading Format on All C/C++ Files. I try to at least stub all of the functions in the same group, per Linux man pages. When I come across a fresh group of Linux functions to implement, I often do the ones I need, and stub the rest using my STUB_* macros, as you can see in libunistd source code. Because I've been doing this with libunstd over 20 years, there's a lot implemented. For Windows, I started implementing POSIX and pthreads calls I encountered in real world code as I ported Linux code to Windows. Except for Windows, the rest of those operating systems offer BSD or System V operating system libraries that make code fairly portable across UNIX-based systems. I do single codebase development where the same C/C++ code will build on Linux, Windows, MacOS, BSD and Solaris. Not to deliver a Windows build on an embedded system, rather for testing and QA of the same embedded system codebase in Windows with access to the superb Microsoft Visual Studio debugger and its excellent static code checker that detects memory overruns.Īlthough libunistd was predominately written by me, appreciate any good bug fixes, patches or pull requests. Libunistd is being used for safety-critical Linux embedded systems. Libunistd later moved from SourceForge to github and has been continuously improved, with more and more BSD and System V calls added. CinePaint is an open source HDR paint application used in making motion pictures, including the Harry Potter and Lord of the Rings films. Libunistd was originally created to port Linux CinePaint to Windows in 2002. Similar for Qdecoder, Sqlite and xxHash, however you should check their license terms yourself as libunistd is not the owner of these other open source libraries. In other words, you may do pretty much whatever you want with libunistd. Uuid: A small unique identifier library created elsewhere. XxHash: A small hash library created elsewhere. Sqlite: A small SQL library created elsewhere. Qdecoder: A small HTTP library created elsewhere. Portable: System classes, such as StdFile that encapsulates the standard FILE* C API into a C++ class with constructors and destructors. Libunistd has some additional small libraries that are not POSIX, but can be useful to those of us developing cross-platform code. Look up in the Linux man page the "unknown" function and include all the header files that the Linux man page says it requires. If you port Linux code to FreeBSD or Mac OS X, you may have encountered this before, that the compiler sometimes objects to unknown POSIX functions. As a result, sometimes Linux code will compile that's not strictly legit, that it hasn't explicitly included all necessary header files. In Linux, some standard headers include other standard header files. When porting your Linux program to Windows for the first time, you may have to include more POSIX headers than were necessary in your Linux code. It implements many other header files that are POSIX standards, including pthreads.h. Simply write C++ code as you would for Linux, and it should build in Visual Studio for Windows. Avoid #ifdef _WIN32 ugliness in your code. Because unistd.h exists in Linux as a standard header file, making this change for Windows will not break Linux code. Doing this will include the magic to make basic Linux APIs work in Windows. |
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